Sabine Azéma

In 1912 France, an aging painter's weekly gathering with his son and his family is interrupted by a surprise visit from his free-spirited daughter.

Master director Alain Resnais ('Last Year in Marienbad') blurs the line between cinematic technique and theatrical artifice in his acclaimed 'Mélo', adapted from Henri Bernstein's classic play about a doomed love triangle in 1920s Paris. Pierre (Pierre Arditi, 'Love Unto Death') and Marcel (André Dussollier, 'A Good Marriage') are both celebrated concert violinists and lifelong friends, in spite of their differing temperaments. Pierre is modest, sensitive and content with his lot; Marcel is hungry, driven, and pursues a solo career that takes him to the four corners of the world. After years apart, the two friends reunite when Pierre invites Marcel to his home for dinner. It is then that Marcel first meets Pierre's wife Romaine (Sabine Azéma, 'Cosmos'), sparking a passionate affair that can only end in tragedy before the curtain falls.

In Alain Resnais' last feature film, adapted from Alan Ayckbourn's play, three couples living in Yorkshire learn that their mutual friend, George Riley, is suffering from a terminal illness. With only a few months left to live, they invite George to join their theatrical troop in preparation for their next performance, but rehearsals shine a spotlight on their prior relationships. George decides to take one last holiday in Tenerife, and the three women volunteer to go with him leaving their husbands as suspicious understudies.

Cohen Film Collection is proud to present Alain Resnais's LOVE UNTO DEATH. In Uzès, a mysterious, austere town, four characters who live in seclusion have a simple yet superb life. It is the story of two couples. The first, Judith and Jérôme, have been living for ten years in deep, exalted mutual understanding. Both clerics, they have their own ideas on faith.

After a man finds a woman's stolen red wallet, he becomes infatuated with her.

A job as a Red Cross nurse in 1914 France becomes Nelie’s ticket out of poverty, but her chance at wealth comes by stealing a dead woman’s identity.

Andrzej Zulawski's final film, a literary adaptation suffused with his trademark freneticism, transforms Polish writer Witold Gombrowicz's novel into an ominous and manic exploration of desire. Witold, who has just failed the bar, stays at a guesthouse run by Madame Woytis, where reality mutates into a whirlwind of foreboding omens and surrealistic logic as he becomes obsessed with her daughter.

Boyhood friends, one wealthy, one poor, walk parallel paths as painter Paul Cezanne and writer Emile Zola leave Provence to conquer Paris’ art scene.

An inept cop becomes the first female member of an elite police unit and must figure out how to work with her sexist partner to take down a gang.