Kim Min-hee

1930s Korea, in the period of Japanese occupation, a new girl (Sook-Hee) is hired as a handmaiden to a Japanese heiress (Lady Hideko) who lives a secluded life on a large countryside estate with her domineering Uncle Kouzuki. But the maid has a secret.

After his fiancée vanishes before the wedding, a man sets out on a desperate search to find her, and a shocking truth about her identity awaits him.

An actress wanders around a seaside town, pondering her relationship with a married man.

Rightly named one of 2020’s best films, The Woman Who Ran finds the delightfully prolific Hong Sang-soo at his most bare and gentle. Kim Min-hee’s luminous presence fills the screen in this disarming minimalist gem, where wisdom emanates from small talk and men don’t seem to fit in a feminine world.

For his 22nd feature as director, Hong delivers a delicious cinematic riddle only he could concoct. In the corner of a small café, Areum (Kim Minhee) sits typing on her laptop. At the tables around her, other customers enact the various dramas of their lives. A young couple charge each other with serious crimes, an old man tries to rekindle a flame with a younger woman, a narcissistic filmmaker works to put together his next project—all while Areum types. Is she merely writing what she hears? Or is she hearing what’s been written? As the dramas inside the café unfold, the plants outside grow taller.

Quite by accident, a film director arrives in town a day early. With time to kill before his lecture the next day, he stops by a restored, old palace and meets a fledgling artist. She's never seen any of his films, but knows he's famous.

Abandoned by his mother shortly after immigrating to America, Gon is raised by the mafia and grows up to become a cold-blooded hitman. While on a job, Gon makes the mistake of killing an innocent young girl. Guilt takes over his life and things become worse when his boss orders him to kill the young girl's mother, whom he falls in love with. Korean Language film with English subtitles.

A comic tale of infidelity and mistaken identity from South Korean master auteur Hong Sangsoo. Bongwan’s marriage is on the rocks after his wife discovers the affair he’s been having with his ex-assistant. His new assistant, the sharp and sensitive Areum, is left to navigate the fallout of all the turnover in Bongwan’s life on her first day in the office.

A refreshing performance from Isabelle Huppert is at the center of this charming comedy. Huppert plays Claire, a school teacher on her first visit to Cannes. She meets Manhee, who was recently laid off from her film job after a fling with a movie director. Together, they wander the seaside resort town, working to better understand Manhee's firing—developing new outlooks on life in the process.

The probability of a couple getting back together is just 3%. Two lovers that have broken up over a minor tiff try to be among the lucky ones.

The sexy lifestyle of three daring women.

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