Jackie Berroyer

Seven astronauts wake up in a spaceship, with their identities completely wiped out. Who are these people, and where are they going?

Stranded on his way home for Christmas, a traveling entertainer falls victim to a dangerously unhinged innkeeper who's determined to keep him captive.

When restaurant owner Henri's beloved wife Rita tragically passes away, he finds his complacent life turned upside down. Adrift without the wife who kept the business running, Henri cannot cope with the tragedy, until a young woman named Rosette comes along to show him a new outlook on life.

A seriously-ill woman tries to find her long-lost child with the help of a man in the middle of a burnout and a blind archivist.

Mathieu Polivennes, a young and brilliant business banker, is sent to Haute-Loire on an emergency mission to straighten out the call centres of Cecredico, a consumer credit firm and subsidiary of the bank that employs him. At only a few weeks out from the elections, the bankruptcy of the call centre in deepest Auvergne would be seriously prejudicial to the electoral aspirations of Segondas, the bank's big boss.

Take a traditional Jewish funeral whose rituals no one can quite recall. Add a Yiddishkeit community in Paris, one of the most beautiful cities in the world, and top it off with an ensemble cast of dysfunctional siblings and spouses. What you get in the assured hands of director Idit Cébula (Two Lives Plus One), is the charmingly poignant French film Rue Mandar. For elder brother Charles (Richard Berry, 22 Bullets), sister Rosemonde (Emmanuelle Devos, The Other Son, Coco Before Chanel) and youngest sibling Emma (Sandrine Kiberlain, The Women on the 6th Floor), their widowed mother’s funeral marks the end of an era. Brought together after years of separation, they are soon squabbling about religious tradition, each other and what to do with their parents’ apartment at 13 rue Mandar. Rue Mandar reminds us that the messy, sometimes humorous and often bittersweet business of death can lead to new beginnings.

After witnessing a dead body resurrecting in front of them, a journalist and an atypical politician are taken through a series of unexpected events.

Fabrice is a big - perhaps the biggest - fan of Jean-Philippe Smet, better known as Johnny Hallyday, the greatest rocker France has ever produced. But one day Fabrice wakes up in a parallel world where Johnny doesn't exist. Fabrice becomes obsessed with the idea of putting his idol back on his pedestal, where he belongs. He finds Jean-Philippe running a bowling alley.

A graphic designer who missed her chance at art school struggles to make ends meet in Paris while drifting between a number of different lovers.