Tomorowo Taguchi

A strange man known only as the "metal fetishist", who seems to have an insane compulsion to stick scrap metal into his body, is hit and possibly killed by a Japanese "salaryman", out for a drive with his girlfriend.

A man who can control people with a stare could rule humanity with his unusual ability if he so wished. Instead, he chooses a life of solitude, using his gift only when necessary. Cleverly, he makes sure that those under his control cannot remember.

Based on the smash-hit series of the same name by cult manga artist Junji Itō (Uzumaki), Tomie tells the tale of an evil high-school seductress identifiable by a beauty mark beneath her left eye, whose bewitching kiss drives men to madness.

Once again Shinya Tsukamoto steps out from behind the camera and stars as Tsuda, the archetypal Japanese salary man, a cog in the machine seemingly cut off from his own being by hours and hours of work. He's married to polite and compliant Hizuru (Kahori Fujii), the dictionary definition of an ideal Japanese wife. Their life is happy, at least on the surface, until Tsuda's brother; Kojima (played by Tsukamoto's own real life brother, Kohji) shows up on the scene. As a pro boxer Kohji's business is violence and even before the proverbial sand is kicked in Tsuda's face we can already sense the wonder and jealousy with which he views his brother's transformed body; but once Kojima seduces Hizuru, revealing that he doesn't just excel at physical violence, but mental and emotional brutality as well, Tsuda starts training at the gym so he can wreak his revenge with his fists.

Taeko and her husband, Jiro, are living a peaceful existence with their son. A tragic accident brings the boy's father, Park, back into her life.

Bobby and his friend Akkun set out for the mountains to build a secret hideout.

An erotic novelist's assistant tries to uncover the truth behind her latest story of a family destroyed by incest, murder and abuse.

Rinko and Shigehiko are a strange couple, who connect as human beings but not lovers. They live more like friends and lead nearly independent lives. Both seem comfortable with this coexistence until Rinko receives a package of candid photographs of herself masturbating. The sender contacts her with the threat of exposing them to her husband so she submits herself to the anonymous voyeur's sexual games in order for the negatives and prints to be returned. Rinko is to comply with a set of assignments that place her constantly on the borderline between humiliation and pleasure. The voyeur knows exactly what Rinko's personal erotic fantasies are and makes her act them out one by one.