Georges Flamant

Jean Renoir’s ruthless love triangle tale, his second sound film, is a true precursor to his brilliantly bitter The Rules of the Game, displaying all of the filmmaker’s visual genius and fully imbued with his profound humanity. Michel Simon cuts a tragic figure as an unhappily married cashier and amateur painter who becomes so smitten with a prostitute that he refuses to see the obvious: that she and her pimp boyfriend are taking advantage of him. Renoir’s elegant compositions and camera movements carry this twisting narrative—a stinging commentary on class and sexual divisions—to an unforgettably ironic conclusion.

François Truffaut's "The 400 Blows" features the first appearance of the legendary character Antoine Doinel, albeit in a more serious drama than in later comedic outings. Antoine's unhappy home life leads him into petty crime and juvenile detention.