Catherine Keener
51 titles
Filmography
51 results

Walking and Talking
(1996)Friends Laura, Frank, Andrew and Amelia always have something to laugh about when it comes to matters of the heart. There are good dates, bad dates, and no dates. The ups and downs of modern romance aren't easy…but they’ve never been funnier!

Lovely & Amazing
(2002)Self-esteem and insecurity lie at the heart of this comedy about the relationship between a mother and her three confused adult daughters.

Please Give
(2010)Married antique-dealers, Kate and Alex (Catherine Keener and Oliver Platt) plan on gutting the apartment they own next door to expand their own pad once Andra, the cranky, elderly widow (Ann Guilbert) who lives there, finally dies. When Kate, conflicted with her own guilt, befriends Andra’s granddaughters (Rebecca Hall and Amanda Peet), the results are anything but predictable in this...

Peace, Love & Misunderstanding
(2011)A high-strung New York lawyer decides to get a divorce and take her teenage kids upstate to Woodstock to reconnect with her estranged hippie mother

Polar Bear
(2022)A polar bear’s memories help her navigate motherhood in an increasingly challenging world.

Little Pink House
(2018)A small-town nurse emerges as the reluctant leader in a battle that goes to the Supreme Court to save her neighborhood from pharma giant Pfizer.

No Future
(2021)“Get Out” star Catherine Keener is a grieving mother whose son died of a drug overdose who begins an affair with his distraught childhood friend.

We Don't Belong Here
(2017)The matriarch of a dysfunctional family is pushed to her tipping point when her son goes missing.

War Story
(2014)A battle-scarred photojournalist (Catherine Keener) risks her life to rescue a young refugee in this gripping, ripped-from-the-headlines thriller. Sir Ben Kingsley also stars.

Capote
(2005)Based on the true story, Truman Capote finds himself becoming disturbingly close to one of the murderers of a Kansas family that he is writing about.

Brand New Cherry Flavor
A filmmaker heads to Hollywood in the early '90s to make her movie but tumbles down a hallucinatory rabbit hole of sex, magic, revenge — and kittens.

The 40 Year Old Virgin
(2005)Andy is a nice guy who, at the age of 40, hasn’t had sex. His misguided coworkers try to help him score - and maybe even find true love - in this hilarious comedy.

Living in Oblivion
(1995)A low-budget filmmaker struggles to keep his vision alive on the disaster-plagued, sexually overheated set of his latest indie opus.

Trust
(2010)When an adolescent girl meets her first boyfriend online, he turns out to be a sexual predator who tears the life of her happy suburban family apart.

Where the Wild Things Are
(2009)Max, a disobedient little boy sent to bed without his supper, creates his own world a forest inhabited by ferocious wild creatures who crown Max as their ruler.

Hamlet 2
(2008)One high school drama teacher is about to make a huge number 2 in this wildly irreverent and completely outrageous movie from the producers of Little Miss Sunshine! When his school's theatre department is threatened to be cut, failed-actor-turned-high-school-drama-teacher Dana Marschz writes a play that he hopes will solve everything: a sequel to Shakespeare's Hamlet. Now, staging one of the most politically incorrect musical-theater extravaganzas ever seen, Dana and his class will put it all on the line for one controversial, conflicted night of hilarity!

The Real Blonde
(1998)Joe and Mary are living together in Manhattan while Mary provides for both them, and Joe is a struggling actor.

Nostalgia
(2018)A mosaic of stories about love and loss, this film explores our relationships to the objects, artifacts, and memories that shape our lives.

Maladies
(2012)While working on a comeback, a former soap star gets a narrator stuck in his head, leaving him to figure out who is really calling the shots.

Get Out
(2017)Jordan Peele’s seismic horror-satire is a rare era-defining film: both a mordant send-up of Obama-era liberal racism and an early shot at Trump’s America. Delivering its commentary with bloody aplomb, Get Out distills a nation’s anxieties in the indelible image of “the sunken place.”