Jan Nowicki

The first screen adaptation of Bruno Schulz’s novella is an opulently strange trip through a Polish-Jewish looking-glass.

As a son deals with his own struggles, he must calm his father's obsession with fishing before his outlandish behavior ruins the entire family.

Conjuring a claustrophobic vision of post-nuclear Poland, Piotr Szulkin lends his satirical eye to the weaponization of religion as a means of social control. A utilitarian triumph of ramshackle world-building, O-Bi, O-Ba is a hallucinatory examination of apocalyptic anxieties in the atomic age.