Mirta Busnelli

Martín Rejtman’s debut is today regarded as the film that launched the New Argentine Cinema, and prefigures his trademark style of comedies imbued with a languid melancholy and hilariously deadpan humor. Presented in its recent restoration, this now-cult film is always ripe for (re)discovery.

A psychiatrist returns to the village of his childhood upon the sudden death of his role model father and discovers a dark family secret.

Marcos Tremmer is a successful publicist madly in love with his wife Lucía. One day he discovers that he has a cancer that will end his life in a few months

A timeless, minimalist deadpan comedy, this is a young woman’s deliciously eccentric quest for sense of self in a world of doppelgängers, with an unforgettable performance from Rosario Bléfari. Committed to hilarity in all forms, Martín Rejtman’s cinema conjures humor and warmth in equal measure.

Inés , a Buenos Aires dubbing artist, faces insomnia and violent nightmares after a traumatic holiday. Strange sounds from her vocal cords disrupt dubbing, jeopardizing her choir position. In a paranoid state, reality blurs, and Inés fears dream characters are taking over her body.