David Aaron Baker

The year is 1944, World War II rages in Europe, and Molly is a nine-year-old girl whose family life has been thrown into turmoil since her father, a doctor, has been stationed with the U.S. Army in England. With her mother busy helping the war effort at home by working for the Red Cross, Molly finds herself having to handle life's problems and changes on her own - including her family taking in a 10 year-old refugee from London. But through all the adjustments, Molly keeps a positive attitude and a determined spirit which was the backbone of America's home front during a critical time. Third in a series of TV movies based on the "American Girl" book and product line, this story will allow girls to imagine how different life was for girls growing up in the 1940s, and to discover that their feelings, ideas and dreams were surprisingly similar to those of Molly and her friends.

As homicide detective Thomas Craven investigates the death of his activist daughter, he uncovers not only her secret life, but a corporate cover-up and government collusion that attracts an agent tasked with cleaning up the evidence.

Harold Hill is a con man who poses as a boys' band organizer and leader and sells band instruments and uniforms to the naive Iowa townsfolk, promising to train the members of the new band. But Harold is no musician and plans to skip town without giving any music lessons. Prim librarian and piano teacher Marian sees through him, but when Harold helps her younger brother overcome his lisp and social awkwardness, Marian begins to fall in love. Harold risks being caught to win her.

In 1971, author Clifford Irving is feeling cheated when his latest manuscript, which looked sure to be published by McGraw-Hill, is ultimately rejected. After that rejection, his primary contact at the publishing house, Andrea Tate, seems ready to place him on her do not call list. As such, Clifford tells her that he is working on the most important book of the twentieth century, which in reality is a total fabrication, as is his ultimate idea for the book: that he has been asked by billionaire recluse Howard Hughes to write his autobiography. Clifford, who has never met Hughes and has never been contacted by Hughes, is banking on past history of Hughes not coming out in public to decry Clifford's book as being a fake, as is the situation with a current case involving TWA which could cost Hughes monetarily if the case goes against him and which Hughes has not come out publicly to defend. If Clifford's assertions of the book are indeed true, Andrea and her colleagues at McGraw-Hill are highly interested. Along for the ride with Clifford are his long time friend and researcher, Dick Suskind, who likes the idea when it seems to be working, but seems ready to fold under the pressure whenever they are close to being caught; and Clifford's artist wife, Edith Irving, who takes on the pseudonym Helga R. Hughes to be able to cash the checks made out to H.R. Hughes. Clifford and Dick luck into personal information about Hughes which would assist in writing an accurate autobiography. They also mysteriously come into possession of some information which if included in the book would entirely change its focus but have the potential for far reaching political consequences. But Clifford's personal life, which includes an affair with actress Nina Van Pallandt, and his own grip on what is true and isn't may ultimately be his downfall.