Thomas Allen

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Jean-Pierre Ponnelle’s landmark production of Mozart’s most human comedy provides the perfect setting for this superb cast under James Levine’s ebullient leadership. The philandering and arrogant Count Almaviva (Thomas Allen) is no match for his wily servant Figaro (Ruggero Raimondi), whose soon-to-be-wife Susanna (Kathleen Battle) is as manipulative as she is charming. Add in one beautiful, disillusioned Countess (Carol Vaness) and one irrepressible, testosterone-laden teenage boy (Cherubino, played by Federica von Stade), and it’s no wonder some critics say this is the perfect opera.

Wagner’s enchanting Nürnberg has perhaps never looked as marvelous as in this production by Otto Schenk, with sets designed by Günther Schneider-Siemssen. James Levine’s conducting is as authoritative as it is affectionate, and the orchestra, the chorus, and the all-star cast which could not be equaled anywhere else in the world—respond with a riveting performance. James Morris is a wise, avuncular Hans Sachs; Ben Heppner’s beautifully sung Walther is a perfect match for Karita Mattila’s radiant Eva; and René Pape and Thomas Allen turn in stellar performances.

Renée Fleming lights up the Met stage as Hanna Glawari, the fabulously wealthy widow of the title in Lehár’s beloved operetta, set in Paris and seen in a glittering production directed and choreographed by Broadway’s Susan Stroman. Nathan Gunn is Danilo, Hanna’s former flame, who is supposed to woo and marry her in order to keep her fortune in their home country of Pontevedro. Kelli O’Hara sings Valencienne, the flirtatious young wife of the Pontevedrian ambassador in Paris, Baron Zeta, played by Thomas Allen, and Alek Shrader is her suitor, Camille. Andrew Davis conducts the waltz-rich score, and the new English translation is by Jeremy Sams.