Brian McCardie

An innocent trade plunges Swedish investment banker Tom Blixen into a battle between millionaires, oligarchs and their private armies.

A mysterious woman, unable to speak English and fleeing from thugs, shows up at Mia's workplace, causing chaos in the plucky barmaid's life.

A scheming detective drowning in mad plots, drugs, alcohol and sexually abusive relationships becomes mentally unstable while working a murder case.

A young junkie is held captive by a group of gangsters when his grandfather's death makes him the only one left alive who can open a valuable safe.

Annie Potter survived a madman's runaway bus plot in Los Angeles only to board a Caribbean cruise ship rigged for destruction by a disgruntled computer expert!

Amidst power cuts, strikes and boot-boy aggro on the football terraces, Joe McCain (Martin Compston), is bored of a life thats going nowhere. Enter hair-dresser Jane (Nichola Burley).

In 1896, a construction engineer from the British Army, J.H. Patterson (Kilmer) is sent to build a railway bridge across Uganda's Tsavo River for the British East African Railway. Soon after he arrives, workmen begin to disappear at night from their tents never to be seen alive again.

Shell is a 17-year-old woman, who lives and works at a petrol station in the desolate Scottish Highlands. Apart from the occasional customers who call by for fuel, and a few regulars who acknowledge and catch up with her, Shell’s only company is her reserved and softly spoken father Pete (Joseph Mawle), to whom she is devoted. A young girl trying to find her place in the world, she is on the cusp of womanhood, struggling to re-imagine her role within her own family and life in general. Pete, meanwhile, is damaged goods. He still keenly feels the absence of his wife, who ran away when Shell was four, while his connection with his daughter is both difficult and disturbing. An assured debut feature starring Joseph Mawle and newcomer Chloe Pirrie, Shell marks the arrival of Scottish writer-director Scott Graham as a distinctive new voice in British cinema.

In director Paul Wright's debut drama, the sole survivor of a fishing boat accident struggles to come to terms with his loss. Ostracised by the other members of the small fishing community where he lives for surviving the tragedy that claimed his brother Michael and four other men, Aaron finds himself drifting into a dream-like, fantasy-based reality shaped by the folklore tales his mother told him as a child. As his search for answers unfolds, and heedless of the concerns of his mother Cathy, Aaron, convinced that his brother is still alive, sets out on a journey to find him.

When a sadistic murderer surfaces in Scotland, a Chicago police detective joins the hunt in hopes of stopping him before he claims his next victim.