Morris Carnovsky
9 titles
Filmography
9 results

Dead Reckoning
(1946)A war hero steps off a train and into a world of gambling, blackmail and murder while searching for a fellow vet who inexplicably disappeared himself.

The Gambler
(1974)A college professor, who is a compulsive gambler unable to quit or win, finds himself in over his head with the mob. In HD.

Cyrano de Bergerac
(1950)In 1640 France, the charismatic swordsman and poet with the absurd nose sets up an innocent deception to help another woo the woman he loves.

Gun Crazy
(1950)A gun-loving, sharp-shooting couple embarks on a crime spree. The two rob banks and outrun the law until one of them starts having second thoughts.

Dishonored Lady
(1947)A hard-partying fashion editor headed for a nervous breakdown gets a new identity but ends up a murder suspect when her past returns to haunt her.

The Second Woman
(1950)The new girlfriend in a successful but troubled architect's life slowly uncovers foul play behind his former bride's death and his own torment.

Our Vines Have Tender Grapes
(1945)A Norwegian farmer tries to raise two children in the Midwest.

A View from the Bridge
(1962)A longshoreman’s secret obsession with the teenage niece he raised leads to betrayal, violence, and a tragic reckoning in 1950s Red Hook, Brooklyn.
Rhapsody in Blue
(1945)Robert Alda stars alongside musical greats Al Jolson, Paul Whiteman, and Oscar Levant in this lavish fictionalized biography of composer George Gershwin. The film traces Gershwin's rise from a "song plugger" for a Manhattan music publishing company to the heights of international fame and fortune. Gershwin's first big hit is "Swanee," introduced on Broadway by Al Jolson. In collaboration with his lyricist brother, Ira, George pens hit after hit in show after show. But George's kindly old music teacher wants his prize pupil to aspire to something more artistic. Gershwin responds with "Rhapsody in Blue," which debuts at Aeolian Hall in 1924 under the baton of bandleader Paul Whiteman. As his fame and workload grows, George finds he has no time at all for romance; the two ladies in his life both eventually realize that they'll always have to play second fiddle to Gershwin's muse.