Hervé Sogne

Upon awakening at his desk, Franck tries to leave the office, but somehow, whether by stairs or by elevator, finds himself back where he began.

Hélène Cattet and Bruno Forzani turn their genre-scrambling attention to European crime films of the 1970s with this kinetic brain-melter. Fixing Sergio Leone in its stylistic crosshairs, Let the Corpses Tan reduces plot to essentials, all the better to let rip with a psychedelic formal assault.