John Merriman

Social misfit Gretchen Finkle (Courtney Davis) has spent high school falling for losers, and senior year isn't any different. But when she becomes obsessed with bad boy Ricky (John Merriman), her mother sends her to an inpatient therapy clinic. Gretchen realizes she must take responsibility for her life and the choices she makes.

Mason, Dennis, and Gabe have worked at the Stanton Family Cinemas for longer than they want to remember, but long enough they don't want to leave. Most of their time is spent messing with customers, watching fellow employees work out their relationship issues and basically just slacking off, but at a cost.Mason has a wife and child at home that he neglects too much, Gabe is considering college, but is scared of failure, and Dennis just dropped out of college after his fiancé cheated on him. The three are working things out together at their second home, the theatre, until Mason's wife reveals she's pregnant for the second time and his volatile home life comes to a head. Should Mason swallow his pride and beg his father-in-law for a job? Can Gabe get past his pessimism and fear and leave the projection booth? And can Dennis finally start to deal with his issues? Maybe. But first, they have some customers to ignore.

After his girlfriend dumps him at a New Year's Eve party, Bill and his friends travel to an off-season beach town to win her back.

In this compelling drama, openly gay Ernesto and closeted Gabe grapple with the sad tribulations of being gay in a small, working-class Texas town. Reminiscent of such classic rural gay love stories as "Big Eden" and "Brokeback Mountain," this festival hit is an uplifting love story about male intimacy, the heartache of unsuccessful relationships, and the transformative power of love.

Allie leads an unfocused life with no job and a lame boyfriend. So it's no surprise when she hops on an RV full of karate rockers headed to Texas after she is attacked on the streets of New York. Seeming to improve as she settles into the slower pace of Austin, her fears continue to haunt her. She quickly falls into Texas gun culture as a means to feel safe. She walks the fine line between reasonable self-preservation and paranoid withdrawal. Can she maintain healthy relationships, or will the weapons she uses to protect herself cause her problems worse that the ones she was fleeing?

This absurdist comedy centers on the growing existential dread floating above a group of ordinary people’s heads on a daily basis.