Micheline Presle

Micheline, a young woman from the provinces, arrives in Paris to prepare for her marriage to a silk manufacturer from Lyon, Daniel Rousseau. Flush with the romance and excitement of Paris, she ends up falling in love with the best friend of her husband-to-be, the fashion designer Philippe Clarence. An unremitting womanizer, Clarence seduces her into a tempestuous liaison doomed for failure.

An achingly romantic vision of wanderlust and unsettled ennui, Earth Light is the most optimistic of Guy Gilles’s features. Like his earlier films, it’s a rhythmic, fragmented study in memory, and how the pleasures of the present moment can stave off the emotional dead-ends of a regretful past.

The adult life of Paolina Bonaparte unfolds in marriages and scandal, revealing a willful yet impulsive woman shaped by Napoleon’s rise and fall.

Six Nobel Prize winners in Stockholm including a disillusioned American writer who becomes involved in a kidnapping plot.

Take a traditional Jewish funeral whose rituals no one can quite recall. Add a Yiddishkeit community in Paris, one of the most beautiful cities in the world, and top it off with an ensemble cast of dysfunctional siblings and spouses. What you get in the assured hands of director Idit Cébula (Two Lives Plus One), is the charmingly poignant French film Rue Mandar. For elder brother Charles (Richard Berry, 22 Bullets), sister Rosemonde (Emmanuelle Devos, The Other Son, Coco Before Chanel) and youngest sibling Emma (Sandrine Kiberlain, The Women on the 6th Floor), their widowed mother’s funeral marks the end of an era. Brought together after years of separation, they are soon squabbling about religious tradition, each other and what to do with their parents’ apartment at 13 rue Mandar. Rue Mandar reminds us that the messy, sometimes humorous and often bittersweet business of death can lead to new beginnings.

A fairy godmother helps a princess disguise and flee the kingdom so she won't have to marry the king who happens to be her father.