Angela Winkler

Katharina, a young woman who meets a suspected terrorist at a party, falls in love and agrees to hide him from the authorities.

Michael Haneke’s provocative study of emotional disconnection in the age of mass-media saturation is a metacinematic labyrinth in which the boundaries between actual and mediated violence become terrifyingly indistinguishable. Arno Frisch stars as the teenage son of wealthy, disengaged parents whose obsession with violent videos leads him to create his own monstrous work of real-life horror.

Three-year-old Oskar Matzerath decides to stop growing. He then finds playing a tin drum helps tune out things that annoy him, even the advent of war.

Bruno Ganz gives a tour-de-force performance as Hoffman, an innocent bystander who survives a gunshot to the head by the police during a raid on a group of revolutionaries.

An older man’s grief over his wife’s tragic death causes him to visit a bizarre brothel where the workers are drugged, and a shocking twist awaits.

Olga, a professor of women’s literature, and Ruth, a gifted and extremely reticent artist, meet and share a warm and inspiring friendship.

A darkness swirls at the center of a world-renowned dance company, one that will engulf the troupe's artistic director (Swinton), an ambitious young dancer (Johnson), and a grieving psychotherapist (Ebersdorf). Some will succumb to the nightmare. Others will finally wake up.

The drug-addicted SIN tries once again to withdrawal from heroin and therefore wants to get away from the cold, gray city of Frankfurt /M to a Greek island. The young woman gets the money for the flights by selling blank prescriptions which she stole in the doctor's office of her father. Sin separates from her boyfriend LEON and tries to win her friend and young prostitute ILLY for the travel, who was dropped out by her her pimp MESUTH. However, the two girls do not come too far. Looking for Illy's passport they strand on a permanent campsite near the Frankfurt airport. In the caravan of Illy ́s alcoholic mother reveals all the misery of addiction and hopelessness. The film shows a realistic, unsparing look at the endless cycle of drugs, alcohol and drug-related crime, which Sin wants to escape with her last strength, but she can manage it only by breaking off consistently all bridges behind her. The longing to travel to sunny Greece ends for the physically entirely leached Sin once again only in the rehab.

Late in the 19th century, Countess Irma leaves home to become the lady-in-waiting for Elisabeth of Austria, known to those close to her as Sisi.