Erlendur Sveinsson

During the summer of 2016, a fishing boat off the shores of Iceland made a most curious catch: four reels of 35mm film, seemingly of Soviet provenance. Unlike the film find explored in Bill Morrison’s DAWSON CITY: FROZEN TIME it turned out this discovery wasn’t a lost work of major importance, but an incomplete print of a popular Soviet comedy from 1969, starring the beloved Russian actor Mikhail Zharov. Does that mean it has no value? Morrison thought not. To him, the heavily water-damaged print, and the way it surfaced, could be seen as a fitting reflection on the film work of Zharov, who re-emerges from the bottom of the sea 50 years later like a Russian Rip Van Winkle, to a world where reels of film are as antiquated as the Soviet Union. But if celluloid film is the only medium that can survive the ocean, how will future generations remember us? Morrison uses the discovery as a jumping-off point for his latest meditation on cinema’s past, offering a journey into Soviet history and film accompanied by a gorgeous score by Pulitzer and Grammy-winning composer David Lang.