Clive Merrison

Laura Mulvey and Peter Wollen’s visually accomplished and intellectually rigorous Riddles of the Sphinx is one of the most important avant-garde films to have emerged from Britain during the 1970s.

A radical left-wing politician pens a popular manifesto, is elected prime minister, and soon realizes that he not only has fans, but powerful enemies.

A TV journalist investigates the killings of Michael Dalzelle and his daughter and becomes involved in the struggle between possible killer Jane Wild and her alternative persona.