Mel Ferrer

The soul of a demonic 8-year-old girl with telekinetic powers becomes the pawn in an intergalactic tug-of-war between the forces of good and evil.

A swashbuckling swordsman fights the good fight against the army of his traitorous, barbarian-loving brother in Middle Ages Europe.

Leslie Caron stars as an innocent young girl, a vulnerable orphan waif who finds a home with the puppet show in a traveling circus--and the love of a man who, at first, can only open his heart through the deeds and words of his marionettes--Lili. Set adrift in life at the age of 16, young Lili (Caron) finds a home and a job with the circus ... and loses her heart to a dashing magician (Jean Pie...

Scott Carter is a skilled doctor - and a man without prospects. Rejection letters from hospitals pile up. His young wife is pregnant with their first child. Unable to land a job because of his race, Scott (Mel Ferrer) decides. "For one year of my life," he says, "I'm going to be a white man." That one year becomes two, then 10, then 20. But it's still only a matter of time before Scott's secret is out and he confronts racism in the New Hampshire town he's served for decades. A light-skinned black family passes for white in this powerful, fact-based tale. Produced by Louis de Rochemont, one of the most acclaimed filmmakers of the late 1940s, Lost Boundaries belongs to a forward-looking cluster of postwar films that declared war on society's ills. Like Boomerang!, Pinky, Gentleman's Agreement and others of the era, it resonates with conviction, proving great issues are the stuff of great filmmaking.

A Nazi's fiancee helps an escaped U.S. soldier, then meets him in postwar Berlin.

A hypnosis session, intended to heal a paralyzed young woman, unwittingly welcomes the devil when it awakens memories of her past life as a witch.

The short-fused owner of a dilapidated hotel in East Texas goes on a killing spree and uses his victims’ bodies as chum for his pet crocodile.

Vern Haskell (Arthur Kennedy) is pushed to revenge when his fiancée is killed during a general store robbery. Intent on punishing those responsible, Vern manages to find one of the thieves, who is mortally wounded. In his dying words, the man gives Vern a clue to finding the others. Continuing his quest, Vern travels to the hideout -- a ranch operated by Altar Keane (Marlene Dietrich), a former saloon singer. By fooling an outlaw (Mel Ferrer), Vern makes his way into their inner circle.

Nuclear doomsday has come. Ralph is sure he is the last person alive. Then a woman appears and the two form a cautious friendship that’s threatened when a third survivor arrives.

The personal stories of many characters, love affairs and philosophies are woven throughout this massive and intricate tapestry of Russia during Napoleon's invasion at the turn of the 19th century.

The legend of King Arthur comes alive in this Oscar-nominated picture starring Ava Gardner as Lady Guinevere, Robert Taylor as Sir Lancelot and Mel Ferrer as the noble King Arthur.

Robert Mitchum takes a walk on the wild side in his TV acting debut, a suspenseful tale of blackmail and murder costarring Angie Dickinson and Mel Ferrer. Harold Schillman (Mitchum) used to be the best on the force. Now he's a washed up ex-cop, too down on his luck to care. So when he's hired to find the missing wife of a Tahoe casino owner (Ferrer), no one's more surprised than Schillman. Tracking her down to a San Francisco high-rise, he gets there in time to watch her fall to her death. Unsure whether she jumped or was pushed, Schillman hooks up with a woman from the victim's past (Dickinson) to help unravel a web of lies and expose the unsavory truth.

A Vietnam vet gets caught in the middle of a conspiracy when he's blackmailed into carrying out a hit job for a crooked businessman.

Cannibals and sexual brutality are just some of the terrifying mayhem happening in this shocking story about a flesh-eating cult deep in the jungle.

A Viking prince sets sail from Greenland in search of his father, who departed on an expedition to North America and has not yet returned.

Andre Moreau is a young man determined to avenge the death of his friend at the hand of the Marquis de Maynes. However, the Marquis is the best swordsman in France and, to gain enough time to learn to fight well enough to take him on, Moreau lays low as the clown Scaramouche.

A former police detective from Chicago is sent to England to retrieve an American racketeer. But the criminal is kidnapped before he arrives.

Throughout the late 1960s and into the 70s, the Italian giallo movement transported viewers to the far corners of the globe, from swinging San Francisco to the Soviet-occupied Prague. Only one, however, brought the genre's unique brand of bloody mayhem as far as Australia: director Flavio Mogherini (Delitto passionale)'s tragic and poetic 'The Pyjama Girl Case'. The body of a young woman is found on the beach, shot in the head, burned to hide her identity and dressed in distinctive yellow pyjamas. With the Sydney police stumped, former Inspector Timpson (Ray Milland, Dial M for Murder) comes out of retirement to crack the case. Treading where the "real" detectives can't, Timpson doggedly pieces together the sad story of Dutch immigrant Glenda Blythe (Dalila Di Lazzaro, Phenomena) and the unhappy chain of events which led to her grisly demise. Inspired by the real-life case which baffled the Australian police and continues to spark controversy and unanswered questions to this day, 'The Pyjama Girl Case' is a uniquely haunting latter-day giallo from the tail end of the genre's boom period, co-starring Michele Placido (director of Romanzo Criminale) and Howard Ross (The New York Ripper), and featuring a memorably melancholic score by veteran composer Riz Ortolani (Don't Torture a Duckling).

From Henri Verneuil comes a captivating conspiracy thriller about a young journalist who uncovers an assassination plot hatched by an American multinational company intent on taking over several French industries. He aims to gather enough evidence to expose the American corporation for what it really is, before French companies start to disappear—along with their employees.