Patrick Jouané

An achingly romantic vision of wanderlust and unsettled ennui, Earth Light is the most optimistic of Guy Gilles’s features. Like his earlier films, it’s a rhythmic, fragmented study in memory, and how the pleasures of the present moment can stave off the emotional dead-ends of a regretful past.

A piercing portrait of doomed romance that trembles with intensity of feeling, Wall Engravings dances between the sensuality of the moment and the haunted halls of memory. A tale of passion and its melancholy ruins, every one of its 68 minutes feels fit to burst with Guy Gilles’ emotional abundance.