Gabriel Cañas

Based on a true story, a cop working in Chile during its 1980s political upheaval gets trapped in a cursed house by evil and hateful spirits at work.

Accommodating both the downbeat and the surreal, Martín Rejtman’s first feature in nine years treats midlife depression with a holistic sense of humor. Comic scenarios flow into one another with the flexibility of a master yogi, and achieve a strengthened core in The Delinquents’ Esteban Bigliardi.