Elín Ósk Óskarsdóttir

In Hlynur Pálmason’s at once rigorous and poetic companion piece to his feature THE LOVE THAT REMAINS, the director chronicles his own children as they craft a knight-like figure in the remote Icelandic wilderness—only to ultimately unleash a barrage of arrows upon it. Through the changing seasons, we observe their lives as they both construct and demolish their lifelike creation.