Pablo Sigal

When a woman returns home to confront her half-brothers about their inheritance, the stage is set for a family reunion, both bloody and brilliant.

Un grupo de amigos deambulan en las profundidades del bosque como una manada de leones perdidos tratando de aceptar su inevitable destino.

Mariel (María Villar) longs to play the role of Isabella in a local theater troupe's production of Shakespeare's Measure for Measure, but money problems prevent her from preparing for the audition.

Jazmín, a young woman living in Mexico City, is nonplussed when she receives a call informing her that her father Toussaint, an illegal Haitian immigrant, is ill. She hasn't seen him in years, and does not know why they are calling her. When she finally gets to the hospital and discovers that her father is suffering from vascular dementia, she finds herself faced with the task of caring for a man who is more a stranger than a father to her.

As Argentina’s military regime in the 1980’s spurs rebellion, an elite school teacher becomes obsessed with a student after she’s told to spy on him.

Victor returns to Buenos Aires after his father's death and a stay in Mexico to prepare a radio production of "Love's Labour's Lost." Reuniting with his repertory, he finds himself sorting out complicated entanglements with girlfriend Paula, sometime lover Ana, and departed actress Natalia, as well as his muddled relations with the constellation of friends involved with the project. As the film tracks the group's crisscrossing movements and interactions, their lives become increasingly enmeshed with the fiction they're reworking, potential outcomes multiply, and reality itself seems subject to transformation. An intimate work that takes characters and viewers alike into dizzying realms of possibility, The Princess of France is the most ambitious film yet from one of world cinema's brightest young talents, a cumulatively thrilling experience.