Paul Harvey

Freddie Fisher and his Schnickelfritz Band, and Ernest Tubb and his Texas Troubadors are two bands. Both bands are vying for the same radio spot and outwit themselves by impersonating each other.

Against the backdrop of Las Vegas’ Frontier Days festival, Roy sets out to catch a racketeering ring laundering counterfeit bills through casinos.

A pleasant down-home entry which casts Hersholt as the title doctor in the mythical town of Rivers End, Minnesota.

A wacky WW1 musical comedy…

When their cattle transporter raises his rates, a group of ranchers turns to Roy Rogers to find a different way to get their herds to market.

At the close of the Civil War, Wild Bill Hickock reunites with Buffalo Bill Cody, and they discover that gunrunner John Lattimer has supplied rifles to the Cheyenne, enabling them to start a battle at a United States Cavalry outpost. Hickock and Cody attempt to stop the uprising and prevent Lattimer from distributing more weapons.

A musical comedy about a Brooklyn boy who inherits a fortune from his archaeologist father, but must travel to Egypt to claim it.

Sheer, utter madness is the order of the day in this laugh riot on wheels that features one of America's all-time favorite funnymen, Red Skelton. In a story ranging from the weird to the whimsical, Skelton plays "Red," an accident-prone inventor of safety gadgets (no one can bump his head any funnier) who winds up driving a cab to prove the worth of his latest brainchild, Elastiglass. But while he is falling in love with the cab company's claims adjuster (Gloria De Haven), a crooked lawyer (Edward Arnold) and a phony psychiatrist (Walter Slezak) are plotting to steal his secret formula. One attempt results in a hilarious truth-serum sequence that sends Red back to the playpen and his famous "mean widdle kid" characterization. Climaxed by a frenzied free-for-all chase inside a home-show exposition - complete with a rotating house-of-the-future gone berserk - The Yellow Cab Man features Red Skelton's broad brand of comedy at its wacky best.

Widowed by World War I, a Broadway star remarries her late husband's songwriting partner only to have the first one turn up very much alive.