Carlo Rota

Four infamous thieves with notorious reputations wake up in an armored warehouse and are forced to pull off a diamond heist beyond imagining.

When a possessive millionaire suspects his beautiful wife is having an affair, he hires a gritty private eye to follow her, but everyone gets played.

A father hunts with his son, slays a monstrous dragon and is confronted by a corrupt tyrant who forces them into battle.

In a dystopian near-future Detroit, an undercover cop teams up with an ex-con to infiltrate a walled-off neighborhood controlled by powerful gangs in an attempt to stop a catastrophic plot that threatens to destroy the entire city.

Constant pressure from his helicopter mom pushes a charismatic and gifted teenager into the arms of a carefree classmate who turns him on to heroin.

A painterly and sensual immersion in late nineteenth-century Italian farm life, Ermanno Olmi’s The Tree of Wooden Clogs lovingly focuses on four families working for one landowner on an isolated estate in the province of Bergamo. Filming on an abandoned farm for four months, Olmi adapted neorealist techniques to tell his story, enlisting local people to live as their own ancestors had, speaking in their native dialect on locations with which they were intimately familiar. Through the cycle of seasons, of backbreaking labor, love and marriage, birth and death, faith and superstition, Olmi naturalistically evokes an existence very close to nature, celebrating its beauty, humor, and simplicity but also acknowledging the feudal cruelty that governs it. Winner of the Palme d’Or at Cannes in 1978, The Tree of Wooden Clogs is intimate in scale but epic in scope—a towering, heart-stirring work of humanist filmmaking.

After the sudden death of her celebrity husband, a photographer returns to Brussels to unravel the mysteries surrounding his last days alive.