Paula Kalenberg

Following a partner swap experiment — with a "no sex" rule — four friends reunite at a beach house to face the unexpected fallout together.

Berlin, 1939. Ferdinand Marian is an actor, one of the best of his generation. Marian is married to a beautiful Jewish woman whom he deeply loves. One day, he’s offered the starring role in the new Nazi party’s anti-Semitic production, a film based on the novel Jud Süss. The part would make him a star. Marian turns it down but finally gives in to Propaganda Minister Joseph Goebbels’ unrelenting pressure and even worse, his charm. The actor unwittingly plays into the Nazis’ plans and his attempt to give the film’s Jewish protagonist a human touch makes the film the most successful propaganda film ever made...

Hildegard von Bingen was truly a woman ahead of her time. A visionary in every sense of the word, this famed 12th-century Benedictine nun was a Christian mystic, composer, philosopher, playwright, poet, naturalist, scientist, physician, herbalist and ecological activist. In VISION, New German Cinema auteur Margarethe von Trotta reunites with recurrent star Barbara Sukowa to bring the story of this extraordinary woman to life. In a staggering performance, Sukowa portrays Hildegard’s fierce determination to expand the responsibilities of women within the order, even as she fends off outrage from some in the Church over the visions she claims to receive from God. Lushly shot in original medieval cloisters of the fairytale-like German countryside, VISION is a profoundly inspirational portrait of a woman who has emerged from the shadows of history as a forward-thinking and iconoclastic pioneer of faith, change and enlightenment.

A pair of bored retirees try out a new role that inserts them in the lives of overprotective parents, hyperactive kids and all sorts of family mayhem.