Ichirō Sugai

This portrait of female volunteer workers at an optics plant during World War II, shot on location at the Nippon Kogaku factory, was created with a patriotic agenda. Yet thanks to Akira Kurosawa’s groundbreaking semidocumentary approach, The Most Beautiful is a revealing look at Japanese women of the era and anticipates the aesthetics of Japanese cinema’s postwar social realism.

When an idealistic governor disobeys the reigning feudal lord, he is cast into exile, his wife and children left to fend for themselves and eventually wrenched apart by vicious slave traders. Under Kenji Mizoguchi’s dazzling direction, this classic Japanese story became one of cinema’s greatest masterpieces, a monumental, empathetic expression of human resilience in the face of evil.

In post-World War II Japan, a 28-year-old woman's family wants to find her a husband. But they have very different ideas about what constitutes a good match.

Follows the corporate espionage that transpires after the most powerful car companies in Japan unveil their current products.

Yuzo and his fiancée Masako spend their Sunday afternoon together, trying to have a good time on just thirty-five yen. They manage to have many small adventures, especially because Masako's optimism and belief in dreams is able to lift Yuzo from his realistic despair.