Michiko Saga

In stark contrast to the monochrome naturalism of his earlier masterwork Bloody Spear at Mount Fuji, visionary master director Tomu Uchida took inspiration from Bunraku and kabuki theater for arguably his strangest and most lavishly cinematic film, The Mad Fox. Amidst a mythically-depicted medieval Japan, a court astrologer foretells a great disturbance that threatens to split the realm in two. His bitter and treacherous wife conspires to have the astrologer killed, as well as their adopted daughter, Sakaki. The astrologer's master apprentice, Yasuna, who was in love with Sakaki, is driven mad with grief and escapes to the countryside. There, he encounters Sakaki's long-lost twin, Kuzunoha, and the pair meet a pack of ancient fox spirits in the woods, whose presence may be the key to restoring Yasuna's sanity, and in turn bringing peace to the fracturing nation. Finally available outside Japan for the first time, Uchida's stunning, wildly stylised widescreen tableaux - using expressionist sets and colour schemes - are highlighted.

A disillusioned Musashi Miyamoto (Toshiro Mifune) has turned his back on the samurai life, becoming a farmer in a remote village, while his nemesis Kojiro (Koji Tsuruta) now works for the shogun. Circumstances bring them back together for one final face-off. Though it’s marked by a memorably intense final battle sequence, the rousing conclusion to the Samurai Trilogy is engaged with matters of the heart as well, as Miyamoto must ask himself what it is that makes a warrior and a man.