Shin Saburi

Despite dispensing advice in a calm manner to strangers, a businessman clashes with his elder daughter over her choice of a husband.

One of the ineffably lovely domestic sagas made by Yasujiro Ozu at the height of his mastery, THE FLAVOR OF GREEN TEA OVER RICE is a sublimely piercing portrait of a marriage coming quietly undone. Secrets and deceptions strain the already tenuous relationship of a childless, middle-aged couple, as the wife’s city-bred sophistication bumps up against the husband’s small-town simplicity, and a generational sea change—in the form of her headstrong, modern niece—sweeps over their household. The director’s abiding concern with family dynamics receives one of its most spirited treatments, with a wry, tender humor and buoyant expansiveness that moves the action from the home into the baseball stadiums, pachinko parlors, and ramen shops of postwar Tokyo.

Yasujiro Ozu’s frequent leading man Chishu Ryu is riveting as Shuhei, a widowed high school teacher who finds that the more he tries to do what is best for his son’s future, the more they are separated. Though primarily a delicately wrought story of parental love, There Was a Father offers themes of sacrifice that were deemed appropriately patriotic by Japanese censors at the time of its release during World War II, making it a uniquely political film in Ozu’s body of work.

A collection of crisscrossing miniature studies of love and family at a remote resort in the mountains. With delicate and surprising humor, it paints a timeless portrait of loneliness and the human need to connect.

Comedy turns to pathos in Yasujiro Ozu's tale of a group of businessmen who conspire to match-make for a widow and her daughter.