Shintarō Katsu

After a two-year absence from screens, the blind swordsman returns in one of his best adventures. Zatoichi treks to a village that has always been a favorite spot of his, only to discover that it’s become a living hell, plagued by feuding father and son yakuza as well as the younger crime boss’s bodyguard—Toshiro Mifune’s scruffy, smart-mouthed, cash-hungry Yojimbo of legend. This is the sole Zatoichi effort from celebrated director Kihachi Okamoto, who supplies satirical vision and stylistic panache worthy of the two iconic characters at the film’s center.

While on the road, Zatoichi befriends a young mother right before she is savagely murdered. Promising her that he will hand over her baby to its father, the blind masseur embarks on an adventure both sentimental and beset by perilous action. This eighth Zatoichi feature is an excellent showcase for star Shintaro Katsu, who evinces an extraordinary physical and emotional range.

In search of a peaceful life in his old age, a blind swordsman is caught in the middle of a violent power struggle between rival gangs.

A dying woman begs Zatoichi to reunite her son with the father he has never met, but when the masseur searches for the man, he discovers that he has been forced by a local yakuza boss to pay off his gambling debts in an unusual way: by painting illegal erotica. Determined to bring father and son together, Zatoichi pits his skills against the gangsters and a ronin who is not entirely what he seems.

Cowritten by star Shintaro Katsu, this adventure pits Zatoichi against one of his most diabolical foes: a blind yakuza boss whose reign of terror and exploitation has made him nearly mythic. Guest starring the legendary Tatsuya Nakadai as a ronin haunted by a traumatic past, and featuring an unforgettable nude swordfight in a bathhouse, this twenty-first entry in the series is a fan favorite.

The blind swordsman wanders into a town to celebrate the New Year. There, he befriends a young woman whose father has gone missing; as he tries to help her find him, he becomes entangled in a web of corruption and a series of tragic twists of fate. Returning director Kimiyoshi Yasuda and screenwriter Shozaburo Asai masterfully weave together a variety of narrative threads and tonal registers, all while playfully tweaking the conventions and motifs of the series.

Nearing the village of his sensei, Zatoichi decides to pay the teacher a visit, only to learn that he has been murdered and his daughter forced into prostitution. Ichi’s investigation into these injustices uncovers a corrupt alliance between government officials and criminals, putting the blind swordsman on a bloody path of retribution in one of the series’ darkest entries.

A yakuza boss seeks revenge against a blind swordsman when he becomes an ally of a rival.

Hired by a yakuza boss to eliminate an accused debtor, Zatoichi fulfills his task, only to witness the victim’s sister paying the owed amount minutes later. When the crime lord tries to possess the woman along with the cash, the blind swordsman wrestles with the injustice he has caused, and vows to protect the young lady at all costs.

Zatoichi encounters a dying man, who asks the itinerant masseur to deliver a bag of money to his young son; he agrees to fulfill the request, finding the boy in a village terrorized by criminals. This is the first entry to scrutinize the swordsman’s methods, as a blind monk confronts Zatoichi about his violent approach to problem solving and Zatoichi finds the child turning to the same bloodstained path.

Everything comes full circle when Zatoichi returns to his hometown. Unfortunately, he finds that a childhood friend has become a feared crime lord, keeping the locals in debt and bilking them of their rice. Capping off Zatoichi’s feature film era before he made the transition to television in 1974, this chapter is suffused with melancholy, closing the series on a note of seriousness and emotional heft that it has well earned.

An elderly prisoner accused of murder begs Zatoichi to find evidence of his innocence. The blind swordsman, for the first time, chooses not to help, but fate has other plans for him. Director Issei Mori, who played a significant role in getting Shintaro Katsu cast as Zatoichi in the first place, shows his filmmaking flair, delivering bloody battles and raucous humor while mischievously upending narrative expectations.

Hanzo faces off against a notorious thief as well as a temple priestess who sells her pupils into prostitution.

The wandering swordsman finds himself in a small village that serves as hideout for a band of fugitives who control the town officials and enforce brutal slave labor in the local silk mill. This lean and mean entry is packed with coldhearted villainy and rough justice, but it finds its heart in the great Takashi Shimura (Ikiru), who plays a kindly country doctor caught up in a violent world.

Troubled by his violent past, Zatoichi begins a journey to a series of shrines for a dose of cleansing spirituality. But as always, trouble isn't far behind, and the blind swordsman soon finds himself defending a widow from the self-interest of ruthless thugs and townsfolk. Written by Kaneto Shindo, this fourteenth entry is a scathing attack on the upper classes and those who wield power.

Zatoichi arrives in a town where a gambling house is kidnapping its poor, debt-ridden patrons. A rival establishment moves to pay those debts and free the peasants, but this second house’s seemingly altruistic boss is actually laying the groundwork for a ruthless money-grabbing scheme. The sixteenth Zatoichi film is the first effort from its star’s own Katsu Productions, and it is one of the series’ most daring, with its complex characters, subversive social themes, and moral outrage.

Hanzo "The Razor" Itami, incorruptible protector of the common man, must track down an infamous killer who has escaped from prison.