Fumio Watanabe

Ogami Itto and his son, Daigoro, accept a job to kill a chamberlain and his gang of criminals while remembering how they became assassins.

Nami and six other female convicts are on the run in this stunning jailhouse escape spectacle.

Genius provocateur Nagisa Oshima (In the Realm of the Senses), an influential figure in the Japanese New Wave of the 1960s, made one of his most startling political statements with the compelling pitch-black satire Death by Hanging. In this macabre farce, a Korean man is sentenced to death in Japan but survives his execution, sending the authorities into a panic about what to do next.

After being used and betrayed by the detective she had fallen in love with, young Matsu is sent to a female prison full of sadistic guards and disobedient prisoners.

From the outrageous imagination of cult director Teruo Ishii (Orgies of Edo, Horrors of Malformed Men) comes this infamous omnibus of three shocking tales of crime and punishment based on true-life documented cases set during the reign of the Tokugawa shogunate. The first tale sees the beautiful Mitsu (Masumi Tachibana) going to horrifying lengths to tend to her older brother Shinzō (Teruo Yoshida), a carpenter injured in a work accident, but the law catches up on them and metes out a terrifying retribution after they violate the ultimate taboo. In the second, unfettered passions in a Buddhist nunnery are not allowed to go unpunished after abbess Reihō (Yukie Kagawa) and her attendant Rintoku (Naomi Shiraishi) encounter a virile young monk from a neighbouring temple. In the closing segment, a sadistic torturer (Fumio Watanabe) attempts to show a tattoo artist (Asao Koike) how to depict convincing expressions of faces of pain in his work by allowing him to sketch a selection of Europeans as they are tortured for entering Japan with the aim of spreading Christianity. Ishii's notorious portmanteau of Edo-era excess signalled a change in direction for a director until then regarded for his crime and yakuza films, setting the ball rolling on the run of grotesque historical anthologies for which he is now best remembered. Vehemently denounced by the critics of the day, Shogun's Joy of Torture set a new benchmark for the depiction of sex, sadism and depravity in Japanese exploitation, with Ishii staging his elaborate torture methods with an unmatched verve and inventiveness.

Takuma Tsurugi, the tough-as-nails, badass mercenary, refuses to kidnap a beautiful heiress but instead goes to war with the mobsters after her.