Mariko Okada

Comedy turns to pathos in Yasujiro Ozu's tale of a group of businessmen who conspire to match-make for a widow and her daughter.

After his army loses a battle, a young warrior returns to his village, where he's arrested for treason. He's spared from execution, but must spend three years studying the samurai code to earn his freedom.

Toshiro Mifune furiously embodies swordsman Musashi Miyamoto as he comes into his own in the action-packed middle section of the Samurai Trilogy. Duel at Ichijoji Temple furthers Miyamoto along his path to spiritual enlightenment, as well as further from the arms of the two women who love him: loyal Otsu (Kaoru Yachigusa) and conniving yet tragic Akemi (Mariko Okada). The film also brings him face to face with hoards of rivals intent on cutting him down, especially his legendary rival Kojiro (Koji Tsuruta). The titular climax is one of Japanese cinema’s most rousingly choreographed conflicts, intensified by Jun Yasumoto’s color cinematography and Ikuma Dan’s triumphant score.

A disillusioned Musashi Miyamoto (Toshiro Mifune) has turned his back on the samurai life, becoming a farmer in a remote village, while his nemesis Kojiro (Koji Tsuruta) now works for the shogun. Circumstances bring them back together for one final face-off. Though it’s marked by a memorably intense final battle sequence, the rousing conclusion to the Samurai Trilogy is engaged with matters of the heart as well, as Miyamoto must ask himself what it is that makes a warrior and a man.

An aging widower reckons with feelings of loneliness and nostalgia as he prepares for his only daughter to get married and leave the home.