Ineko Arima

A woman leaves her abusive husband and moves in with her father, who is also sheltering another daughter, pregnant from a dead-end affair.

Despite dispensing advice in a calm manner to strangers, a businessman clashes with his elder daughter over her choice of a husband.

Director Masaki Kobayashi (Harakiri) was attracted to Junpei Gomikawa's source novel because he recognised himself in the character of the protagonist Kaji, an ardent pacifist who came of age during the aggressively militaristic 1930s and 40s. Kaji is relocated to a mine-supervising job in Manchuria, where he is horrified by the use of forced labour. Throughout, Kobayashi unflinchingly examines the psychological toll of appallingly complex decisions, where being morally 'right' risks outcomes ranging from ostracism to savage beating to death. As Kaji, Tatsuya Nakadai (Sanjuro) is in virtually every scene, providing a rock-solid emotional anchor - and a necessary one in Japan, where the film was hugely controversial for being openly critical of the nation's conduct during WWII. But it's this willingness to confront national taboos head-on that makes it such a lastingly powerful experience.