Yoshi Katō

Hiroshima (1953) is a powerful evocation of the devastation wrought by the world's first deployment of the atomic bomb and its aftermath, based on the written eye-witness accounts of its child survivors compiled by Dr. Arata Osada for the 1951 book Children Of The A Bomb: Testament Of The Boys And Girls Of Hiroshima. Adapted for the screen by independent director Hideo Sekigawa (Listen to the Voices of the Sea, Tokyo Untouchable) and screenwriter Yasutaro Yagi (Theatre of Life, Rice), Hiroshima combines a harrowing documentary realism with moving human drama, in a tale of the suffering, endurance and survival of a group of teachers, their students and their families. It boasts a rousing score composed by Akira Ifukube (Godzilla) and an all-star cast including Yumeji Tsukioka (Late Spring, The Eternal Breasts), Isuzu Yamada (Throne of Blood, Yojimbo) and Eiji Okada (Hiroshima Mon Amour, Woman in the Dunes), appearing alongside an estimated 90,000 residents from the city as extras, including many survivors from that fateful day on 6th August 1945. Hiroshima was produced and distributed outside of the studio system by the Japan Teachers' Union following the mixed critical reception to Children of Hiroshima (1952), directed by Kaneto Shindo the previous year, the first dramatic feature to deal directly with the atomic bombing. Although sequences from the film were used in Alain Resnais' classic of French New Wave cinema, Hiroshima Mon Amour (1959), it has been effectively out of circulation in Japan and the rest of the world since its original release in 1953 due to the force and political sensitivity of its message. This new High Definition presentation is the complete version, restoring the footage from the international edit that was released in the United States in 1955.

Follows the adventures of a horse-riding, sword-wielding samurai as he fights robbers, corrupt bureaucrats, and other villains in Edo era Japan.

A master karate expert trains his daughter to be karate-killing machine after he is nearly beaten to death and blinded in one eye by a gang of thugs!

In stark contrast to the monochrome naturalism of his earlier masterwork Bloody Spear at Mount Fuji, visionary master director Tomu Uchida took inspiration from Bunraku and kabuki theater for arguably his strangest and most lavishly cinematic film, The Mad Fox. Amidst a mythically-depicted medieval Japan, a court astrologer foretells a great disturbance that threatens to split the realm in two. His bitter and treacherous wife conspires to have the astrologer killed, as well as their adopted daughter, Sakaki. The astrologer's master apprentice, Yasuna, who was in love with Sakaki, is driven mad with grief and escapes to the countryside. There, he encounters Sakaki's long-lost twin, Kuzunoha, and the pair meet a pack of ancient fox spirits in the woods, whose presence may be the key to restoring Yasuna's sanity, and in turn bringing peace to the fracturing nation. Finally available outside Japan for the first time, Uchida's stunning, wildly stylised widescreen tableaux - using expressionist sets and colour schemes - are highlighted.

Amidst rumors of his lower class origins that threaten his job, a school teacher pleads for freedom and equality. Keisuke Kinoshita directs.

Ogami Itto and his son, Daigoro, accept a job to kill a chamberlain and his gang of criminals while remembering how they became assassins.

While on the road, Zatoichi befriends a young mother right before she is savagely murdered. Promising her that he will hand over her baby to its father, the blind masseur embarks on an adventure both sentimental and beset by perilous action. This eighth Zatoichi feature is an excellent showcase for star Shintaro Katsu, who evinces an extraordinary physical and emotional range.

A formidable samurai navigates political intrigue, treason and determined foes while safeguarding the Edo shogunate’s treasure from myriad threats.