Anita Björk

Swedish filmmaker Alf Sjöberg’s visually innovative, Cannes Grand Prix-winning adaptation of August Strindberg’s renowned 1888 play brings to scalding life the excoriating words of the stage’s preeminent surveyor of all things rotten in the state of male-female relations. Miss Julie vividly depicts the battle of the sexes and classes that ensues when a wealthy businessman’s daughter (Anita Björk, in a fiercely emotional performance) falls for her father’s bitter servant. Celebrated for its unique cinematic style (and censored upon its first release in the United States for its adult content), Sjöberg’s film was an important turning point in Scandinavian cinema.

An american intelligence agent and a kidnapped gi take part in the daily intrigue between east and west berlin.

Mai Zetterling’s feature debut weaves together the lives of three women, each reflecting on their personal and sexual lives as they arrive at a maternity ward in the summer of 1914. Through flashbacks, fragments of their lives and loves are retold – incestuous love, masochistic love, lesbian love, destructive love. The film caused some upset at Cannes but received overwhelmingly positive reviews.