Mykola Hrynko

Tracing the life of a renowned icon painter, the second feature by Andrei Tarkovsky vividly conjures the murky world of medieval Russia. This dreamlike and remarkably tactile film follows Andrei Rublev as he passes through a series of poetically linked scenes—snow falls inside an unfinished church, naked pagans stream through a thicket during a torchlit ritual, a boy oversees the clearing away of muddy earth for the forging of a gigantic bell—gradually emerging as a man struggling mightily to preserve his creative and religious integrity. Appearing here in the director’s preferred 183-minute cut as well as the version that was originally suppressed by Soviet authorities, the masterwork ANDREI RUBLEV is one of Tarkovsky’s most revered films, an arresting meditation on art, faith, and endurance.

A man known only as the Stalker guides a writer and a professor through a bleak, post-apocalyptic landscape to a mysterious room said to grant one's deepest desires.

Cosmonauts on a space station have strange hallucinations which seem to originate from the planet they are orbiting.

The debut feature by the great Andrei Tarkovsky, IVAN’S CHILDHOOD is a poetic journey through the shards and shadows of one boy’s war-ravaged youth. Moving back and forth between the traumatic realities of World War II and serene moments of family life before the conflict began, Tarkovsky’s film remains one of the most jarring and unforgettable depictions of the impact of war on children.

A dying man in his forties remembers his past. His childhood, his mother, the war, personal moments and things that tell of the recent history of all the Russian nation.