Elisa Carricajo

An unemployed driver begins a car service and takes Jalil on a tense road trip from Buenos Aires to La Paz, where constant clashes change them both.

A mystery of romantic entanglements and intrigues among a troupe of young actors in a small theater in Buenos Aires performing Shakespeare's "Twelfth Night."

At the request of their daughter, a separated couple has to live together for thirty days after the ex-wife comes from a long psychiatric hospitalization.

Ari, who has built a successful career in New York, thinks he has left his past behind. But his distant father Usher, who runs a Jewish aid foundation in the close-knit Jewish neighborhood of Buenos Aires, summons him home. What ensues is a comedy of errors, of missed and found people and connections, and a rumination on the extent to which we can ever really leave our past behind.

Victor returns to Buenos Aires after his father's death and a stay in Mexico to prepare a radio production of "Love's Labour's Lost." Reuniting with his repertory, he finds himself sorting out complicated entanglements with girlfriend Paula, sometime lover Ana, and departed actress Natalia, as well as his muddled relations with the constellation of friends involved with the project. As the film tracks the group's crisscrossing movements and interactions, their lives become increasingly enmeshed with the fiction they're reworking, potential outcomes multiply, and reality itself seems subject to transformation. An intimate work that takes characters and viewers alike into dizzying realms of possibility, The Princess of France is the most ambitious film yet from one of world cinema's brightest young talents, a cumulatively thrilling experience.