Götz Aly

The "Aryanization" in Nazi Germany is without a doubt the biggest raids of the 20th century. Nonetheless, the issue is consistently hushed up. Because it was German financial officials who broke into Jewish households to seize the possessions. Not the Gestapo,

A reckoning of Nazi Germany’s planned execution of its own citizens with physical and mental disabilities whom they deemed useless to their society.

1,200 feature films were made in Germany’s Third Reich. According to experts, some 100 of these were blatant Nazi propaganda. Nearly seventy years after the end of the Nazi regime, more than 40 of these films remain under lock and key. Director Felix Moeller (Harlan: In the Shadow of Jew Süss) interviews German film historians, archivists and filmgoers in an investigation of the power, and potential danger, of cinema when used for ideological purposes. Utilizing clips from the films and recorded discussions from public screenings (permitted in Germany in educational contexts) in Munich, Berlin, Paris and Jerusalem, Moeller shows how contentious these 70-year-old films remain, and how propaganda can retain its punch when presented to audiences susceptible to manipulation.